My teaching and research interests include travel writing, metafiction, poetry, the historical novel, and literary non-fiction.
In recent years, some of my research has been in the archives: At Ohio State University, I examined documents having to do with the contentious composition of explorer Richard Byrd鈥檚 best-selling Polar adventure, Alone, a work largely ghost-written by Charles Murphy; at Vassar College I researched Elizabeth Bishop鈥檚 use of the postcard and her development of a picturesque aesthetic as seen in her travel writings, journals and poems. Currently I鈥檓 reading material in the Martha Gellhorn archive at Boston University, working on a project that will utilize biography as a means of exploring the intriguing connections between her writing as a war correspondent, as a traveler, and as a novelist and short story writer. It鈥檚 her correspondence, though, that often gives me the strongest sense of the force and liveliness of her personality. She minces no words: 鈥淲hat, what, WHAT has happened to you?,鈥 she writes to her friend Bernard Perlin. 鈥淵ou cannot, like all Americans, have lost the power to set pen to paper? Reassure me, please.鈥 Her archive is a rich trove of material about her fascinating life as well as a veritable catalog of the woes of the twentieth century.
Contemporary fiction; American poetry; travel writing; metafiction; autobiography & literary non-fiction
Metafiction
Metafiction explores the great variety and effects of this popular genre and style, variously defined as a type of literature that philosophically questions itself, that repudiates the conventions of literary realism, that questions the relationship between fiction and reality, or that lies at the border between fiction and non-fiction. Ya毛l Schlick surveys a wide range of metafictional writings by diverse authors, with particular focus on the contemporary period.
This book asks not only what metafiction is but also what it can do, examining metafictional narratives' usefulness for exploring the role of art in society, its role in conceptualizing the figure of author and the reader of fiction, its investigation and playfulness with respect to language and linguistic conventions, and its troubling of the boundaries between fact and fiction in historiographic metafiction, autofiction, and autotheory.
Metafiction is an engaging and accessible introduction to a pervasive and influential form and concept in literary studies, and will be of use to all students of literary studies requiring a depth of knowledge in the subject.
Feminism and the Politics of Travel After the Enlightenment
Taking the Enlightenment and the feminist tradition to which it gave rise as its historical and philosophical coordinates, Feminism and the Politics of Travel After the Enlightenment explores travel as a 鈥渢echnology of gender.鈥 It also investigates the way travel鈥檚 utopian dimension and feminism鈥檚 utopian ideals have intermittently fed off each other in productive ways. With broad historical and theoretical understanding, Ya毛l Schlick analyzes the intersections of travel and feminism in writings published during the late eighteenth and nineteenth centuries, a period of intense feminist vindication during which women鈥檚 very presence in the public sphere, their access to education, and their political participation were contentious issues. Schlick examines the gendering of travel and its political implications in Rousseau鈥檚 Emile, and in works by Mary Wollstonecraft, St茅phanie-F茅licit茅 de Genlis, Frances Burney, Germaine de Sta毛l, Suzanne Voilquin, Flora Tristan, Gustave Flaubert, and George Sand, arguing that travel is instrumental in furthering diverse feminist agendas. The epilogue alerts us to the continuation of the utopian strain of the voyage and its link to feminism in modern and contemporary travelogues by writers like Mary Kingsley, Robyn Davidson and Sara Wheeler.
Refiguring the Coquette: Essays on Culture and Coquetry
This is a collection of nine original essays selected and edited with a twofold aim: to establish the parameters of coquetry as it was defined and represented in the long eighteenth century, and to reconsider this traditional figure in light of recent work in cultural and gender studies. The essays provide analyses of lesser-known works, examine the depiction of the coquette in popular culture, explore the importance of coquetry as a contemporary term applicable to men as well as women, and amplify current theorization of the coquette. By bringing together the diverse contexts and genres in which the figure of the coquette is articulated - drama, art, fiction, life-writing - Refiguring the Coquette offers alternative perspectives on this central figure in eighteenth-century culture.
Edited by Shelley King and Y盲el Schlick
Essay on Exoticism: An Aesthetics of Diversity
The 鈥淥ther鈥濃攕ource of fear and fascination; emblem of difference demonized and romanticized. Theories of alterity and cultural diversity abound in the contemporary academic landscape. Victor Segalen鈥檚 early attempt to theorize the exotic is a crucial reference point for all discussions of alterity, diversity, and ethnicity. Written over the course of fourteen years between 1904 and 1918, at the height of the age of imperialism, Essay on Exoticism encompasses Segalen鈥檚 attempts to define 鈥渢rue Exoticism.鈥 This concept, he hoped, would not only replace nineteenth-century notions of exoticism that he considered tawdry and romantic, but also redirect his contemporaries鈥 propensity to reduce the exotic to the 鈥渃olonial.鈥 His critique envisions a mechanism that appreciates cultural difference鈥攚hich it posits as an aesthetic and ontological value鈥攔ather than assimilating it: 鈥淓xoticism鈥檚 power is nothing other than the ability to conceive otherwise,鈥 he writes. Segalen鈥檚 pioneering work on otherness anticipates and informs much of the current postcolonial critique of colonial discourse. As such Essay on Exoticism is essential reading for both cultural theorists or those with an interest in the politics of difference and diversity.
Translated and edited by Y盲el Schlick
Additional Publications
- 鈥'All the untidy activity': Travel & the Picturesque in Elizabeth Bishop鈥檚 Writings,鈥 Elizabeth Bishop and the Literary Archive, Bethany Hicok, ed. (Lever Press, 2019): 173-192.
- 鈥淲riting Alone Together: Richard Byrd鈥檚 Antarctic Classic and the Challenges of Reading Collaborative Autobiography,鈥 The Polar Journal 6.2 (2016): 328-342.
- 鈥淲riting Wonder: Elizabeth Bishop鈥檚 Ethics of Perception,鈥 Environmental Ethics 36.3 (Fall 2014): 319-332.
- 鈥淲hat Is an Experience? Selves and Texts in the Comics Autobiographies of Alison Bechdel and Lynda Barry,鈥 Drawing from Life: Memory and Subjectivity in Comic Art, Jane Tolmie, ed. (University Press of Mississippi, 2013): 26鈥43.
