Nita, Andreea

Andreea Nita

Andreea Nita

M.A.C. Candidate

Art Conservation Program

Stream: Treatment
Specialization: Paintings
Areas of Interest: 
Italian And Dutch Renaissance Oil Paintings; Technical Art Analysis and Instrumental Techniques Used on Painted Historical Objects; Influences on Eastern European and Non-Western Art Culture 

Andreea Irina Nita graduated with Honours from Queens University in 2021, with a BA in Art History. She spent the first two years of her undergraduate degree in the Fine Arts program, before deciding her major. During her studies, she volunteered at the Union Art Gallery, the Kingston School of Art, and the Art History DSC. She also worked closely with collections at the Agnes-Etherington Art Center. After graduating, Andreea studied at the Cultural Heritage Conservation and Management program at Sir Sandford Fleming, graduating in 2023, where she learned object and materials conservation. During her last semester, she received an internship at Legris Conservation Inc. in Ottawa. She received treatment experience focusing on paintings during the internship, and additionally, had the opportunity to assist on an off-site treatment at the Canadian War Museum for an Alfred Munnings exhibition.  

Isabel and Alfred Bader Lecture in European Art with Dr C茅cile Fromont

Date

Wednesday November 15, 2023
7:30 pm - 9:00 pm

Location

AGNES presents:  

 

In-person and online, Isabel Bader Centre for the Performing Arts
15 November 2023
7:30鈥9 pm, with reception to follow 

鈥淓ncounter as Author in Early Modern Images from the Atlantic World鈥 Presented by Dr C茅cile Fromont 
Early modern central Africa comes to life in the vivid full-page paintings Italian Capuchin Franciscans, veterans of the Kongo and Angola missions, composed between 1650 and 1750 for the training of future missionaries. Their 鈥減ractical guides鈥 present the intricacies of the natural, social, and religious environment of seventeenth- and eighteenth-century west-central Africa and outline the primarily visual catechization methods they devised for the region. 
Unfolding outside of a European colonial project, at the demand of local rulers, and among populations who had engaged with the visual and material culture of Europe and Christianity for more than one hundred and fifty years, the Capuchin central African apostolate is without parallel in the early modern world. Equally unique are the images that emerged in the friars鈥 sustained and fraught interactions with the men and women of Kongo and Angola.
In this presentation, I analyze this overlooked visual corpus to demonstrate how such visual creations, though European in form and craftsmanship, did not emerge from a single perspective but rather were and should be read as the products of cross-cultural interaction. With this intervention, I aim to model a way to think anew about images created across cultures, bringing to the fore the formative role that encounter itself played in their conception, execution, and modes of operation.

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ASL interpretation and automated live captions. Watch via livestream at the . 

BIOGRAPHY
Dr C茅cile Fromont is Professor of the History of Art at Yale University. Her writing and teaching focus on the visual, material, and religious culture of Africa and Latin America with special emphasis on the early modern period (around 1500鈥1800), on the Portuguese-speaking Atlantic World, and on the slave trade. 
This program is supported by the Bader Legacy Fund and in partnership with The Isabel Bader Centre for the Performing Arts, in recognition of Bader Day on 15 November. 

Agnes Etherington Art Centre 
Situated within territories of the Anishinaabe, Haudenosaunee and Huron-Wendat, the Agnes Etherington Art Centre is a curatorially-driven and research-intensive professional art centre that proudly serves a dual mandate as a leading, internationally recognized public art gallery and as an active pedagogical resource at Queen鈥檚 University in Kingston. By commissioning, researching, collecting and stewarding works of art, and by exhibiting and interpreting visual culture through an intersectional lens, Agnes creates opportunities for participation and exchange across communities, cultures, histories and geographies.
Agnes is committed to anti-racism. We work to eradicate institutional biases and develop accountable programs that centre the artistic expression and lived experience of Black, Indigenous and People of Colour. Agnes promotes 2SLGBTQIAP+ positive spaces. 


36 University Avenue Kingston, ON K7L 3N6 
 

 

TORCHES FOR CANADIAN CULTURAL POLICY: VISUAL VOICES FROM THE KINGSTON CONFERENCE TO NEW LEGISLATION

Date

Wednesday November 1, 2023
6:00 pm - 7:15 pm

Location

Macintosh-Corry Room B201

Join the esteemed art historian, museum director, and former Senator, Honourable Pat Bovey, as she discusses the contemporary legacy of the famed "Kingston Conference", held in June of 1941. A watershed moment in the Canadian art world, the "Kingston Conference" brought more than 150 artists, museum directors, art historians and members of the public to 澳门六合彩开奖现场 to discuss the place of the artist in society and its role within Canada. What is the contemporary legacy of that conference, and how does it relate to current legislation in the arts, including cultural diplomacy and reconciliation? 
This lecture is organized and sponsored by the Department of Art History and Art Conservation. 

Wednesday, November 1, 6:00 - 7:15 PM. Macintosh-Corry Room B201

Gordon, Abigail

Abigail Gordon in a church looking at the altar.

Abigail Gordon

M.A. Student

Art History Program

Fields of interest: 13th-14th century manuscript painting in England, representations of women, Christian art and architecture, iconography of the Virgin Mary.
Undergraduate experience: Concordia University, BFA.
Supervisor: Dr. Matthew Reeve

Stingaciu, Ilinca

Ilinca smiling at the camera

Ilinca Stingaciu

M.A. Student

Art History Program

Major Fields of Interest: Cultural Heritage Preservation; Cultural heritage destruction during armed conflict; Art law; Technical art history.
Undergraduate Experience: 澳门六合彩开奖现场, Bachelor of Arts Honours, Major in Art History, 2022.
Supervisor: Dr. Cathleen Hoeniger. 

Batten, Alana

Alana Batten

Alana Batten

M.A. Student

Art History Program

Major Fields of Interest: Modern and contemporary art; museum and curatorial studies; history of photography.
Undergraduate Experience: BFA in Art History, Concordia University, 2023

Shields-Rivard, Sara

Sara smiling at the camera

Sara Shields-Rivard

Ph.D. Candidate

Art History Program

Major Fields of Interest: Nineteenth- and Twentieth-Century Design History; Architecture, Interiors, and Furniture Design; Material Culture Studies; Gender and Sexuality Studies.
Undergraduate Experience: Concordia University; B.F.A in Music (Major) & Art History (Minor).
Graduate Experience: Concordia University; M.A. in Art History. Thesis: 鈥淨ueer Interwar Design: Eyre de Lanux and her Sapphic Spaces鈥 (2021).
Supervisor: Dr. Antonia Behan 

Maksimowski, Alice

澳门六合彩开奖现场 University logo

Alice Maksimowski

M.A. Student

Art History Program

Major Fields of Interest: Historical gardens and architecture, especially in Poland.
Undergraduate Experience: B.A. from Wilfrid Laurier University, majoring in Archaeology and Heritage Studies and double minoring in Ancient Studies and Medievalism Studies. 

Murphy, Daria

Daria Murphy smiling at the camera

Daria Murphy

Ph.D. Candidate

Art History Program

Major Fields of Interest: Turn-of-the-century craft history; history of pedagogy; textiles & ceramics; cross-cultural exchange between East Asia and Europe.
Undergraduate Experience: University of Toronto; B.A. in Art History Specialization, Anthropology Minor, and Material Culture Minor (2019)
Graduate Experience: Bard Graduate Center; M.A. in Decorative Arts, Design History, & Material Culture (2021)
Supervisor: Dr. Antonia Behan