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Peggy is an animator, illustrator, and teaching artist.  After studying digital design at Pratt Institute, she gained professional experience in post-production, creating animation and special effects for film and television. An interest in film and video festivals led to a position in the education department at The Walters Art Museum, Baltimore. She has training in a variety of museum pedagogies and has created accessible experiences with art & media for all ages and abilities.

Between joining the Department of Film Studies in 1976, and retiring from what had become the Department of Film and Media in 2013, I taught courses at every undergraduate level from first to fourth year. Whether it was our introductory course, FILM 110, or courses in film criticism or theory, I always brought a historical perspective to the subject at hand.

In his research, Philippe explores complex narratives in popular media franchises; revisits transmedia storytelling and social media through concepts such as interface, playfulness and immersion; and thinks a lot about animation, seriality and popular culture.

Dr Qanita Lilla is a South African curator, researcher and writer with a PhD in Visual Arts from Stellenbosch University. She is currently Associate Curator, Arts of Africa at Agnes Etherington Art Center, Queens University situated on Anishinaabe and Haudenosaunee Territory. At Agnes, Qanita cares for the Lang Collection of African Art, one of the largest collections of its kind in Canada. She is interested the life and after-life of objects in collections, representations of racialised minorities and depictions of traumatic histories. Qanita is the curator of With Opened Mouths and the associated podcast. She has published in various peer-reviewed publications and has also contributed book chapters to anthologies.

Ryan Randall is the Senior Technician and Adjunct Lecturer in the Department of Film & Media as well as the Technical Director of the Vulnerable Media Lab and an award winning cinematographer.

After completing my PhD in Communications at McGill University, I went to Scotland to undertake a post-doctoral fellowship on minor national cinemas at the University of Glasgow. Before coming to Queen’s, I taught at universities in the UK and Canada. At Queen’s, I have taught courses on Classical Hollywood cinemas; Arctic transnational cinemas; transnational European cinemas; film manifestos; film and media theory; Culture and Technology; and popular music and cultural studies, among others.

Sojung Bahng is an award-winning multidisciplinary artist, filmmaker and researcher. She is an Assistant Professor in Media and Performance Production in the Department of Film and Media and the DAN School of Drama and Music at Queen’s University in Canada. Her main research interest lies in practice-based research and research-creation in the context of cinematic and digital media storytelling. Sojung has been exploring the creation of new artistic and narrative experiences by combining various digital technologies in cultural and philosophical contexts. Her research is multidisciplinary and collaborative; it combines various disciplines, including film & media studies, visual art, philosophy and human-computer interaction (HCI). Sojung holds a PhD from SensiLab in the Faculty of Information Technology at Monash University in Australia, and her doctoral thesis Cinematic VR as a reflexive tool beyond empathy was awarded the 2020 Mollie Holman award for the best thesis of the year. She graduated from Korea Advanced Institute of Science and Technology (KAIST) with a master’s degree in Culture Technology and holds a BFA from Korea National University of Arts (K-Arts), majoring in TV & Film Production and Art Theory.

Research Interest:  Digital Storytelling, Cinematic Virtual Reality, New Media Narrative & Aesthetics, Multidisciplinary Art, Practice-based Research, Research-Creation

Areas of research interest include contemporary art and aesthetic theory, research-creation, experimental media, installation, social practice and performance art, curatorial practice/studies, institutional critique and visual and popular cultures. Supervisory fields are curatorial practice/studies and contemporary art.

https://agnes.queensu.ca/?s=sunny%20kerr&f=exhibition

Cinema and media arts areas include gendered spaces and the city, women’s and Canadian cinemas,  and Cuban cinema and visual culture; decolonial practice; media archives and their remediation, social ecology of vulnerable media, collectives and collections; curatorial projects; media arts artists’ groups and artist-run centres.

Tamara de Szegheo Lang (she/her) is an Adjunct Assistant Professor in the Department of Film and Media. Her research takes up queer history, community-based archives, visual culture, and the affective relationships between LGBT2Q+ people and the past.

The research projects Tamara is currently involved with include: Bodies on Fire: Rekindling the Lesbian Decade in Canadian Film,1990-1999; The Witch Institute: Harnessing the Cultural Power of the Witch for Decolonial, Feminist Futures; and Under the Shadow of Empire: Minor Archives and Radical Media Distribution in the Americas.

Tamara is interested in supervising in the following areas: historical and contemporary film and media; marginalized and activist (feminist, racialized, Indigenous, queer and trans) screen cultures; archive studies, preservation, and archival films; affect theory; and curatorial studies.

Thea Fitz-James is a theatre academic and practitioner. She holds a PhD in Performance Studies from York University and is currently an adjunct assistant professor at Queen’s University, teaching theatre theory, theatre administration, fringe theatre, performance art, and performance studies. Her current creative and academic work looks at Fringe Theatre, concepts of play in creative research, and the materiality of the body in performance. She’s developed two solo shows deconstructing contemporary feminist stereotypes, which have toured the Fringe circuit internationally. She is a white, queer, ‘Mad’, cis-gendered settler.

Tyler Adair was an MA student in Screen Cultures and Curatorial Studies. He previously completed an MA in Comparative Literature at Brock University where he also received his undergraduate degree in Art History and Film Studies. He is interested in film theory, modern art (especially painting), Marxism, and curatorial studies, and is currently researching the films of Jean-Marie Straub and Daniele Huillet.

Vince Ha is a PhD candidate in Screen Cultures and Curatorial Studies at Queen’s University. His research centers on two core themes: diasporic identities and queer archival methods. Currently, he is investigating transnational media and its impact on queer diasporic sociality, with special attention to homoerotic representation in Asian cinema.

Her research interests center on politics of visuality (including cinema, television, video, and other new media/art forms), critical media infrastructure, and environmental media. She examines these textual, material, and socio-political dynamics mainly through the situated experience of China but gradually expanding to explore the trans-regional linkages across Asia and the Global South. Her work appeared in peer-review journals such as Asiascape: Digital Asia, Culture Machine, Journal of Cinema and Media Studies, and Journal of Environmental Media. In the past, she has led curatorial projects such as “” (2021) and “China Now: Independent Visions” (2016).

William Jennings is a PhD student in the Film and Media department. He holds an MA in Screen Cultures and Curatorial Studies from �������ϲʿ����ֳ�, and a BA in Art History and Visual Studies from the University of Victoria. Interests include slow cinema, continental philosophy, memory, materiality, and new media. Not to be confused with the 41st US Secretary of State.

After graduating from �������ϲʿ����ֳ� with an Undergraduate degree in Film and Media, Xiao Lin has transitioned into the Screen Cultures and Curatorial Studies MA program. Her research interests include feminist, queer theory, and narrative production.

Ying Cui completed her Bachelor of Arts degree in Film and Media at �������ϲʿ����ֳ� and is now pursuing an MA in the Screen Cultures and Curatorial Studies program. Her research interests focus on contemporary East Asian queer studies and diaspora media. With an interest in cultural studies, Ying explores social power structures and gender equality at a deeper level by analyzing the portrayal of film characters.

Yuting Shen is currently pursuing her master's degree in the Screen Cultures and Curatorial Studies program. She completed her BA at Queen’s majoring in Film and Media. Yuting's research revolves around the curation, sensory ethnography documentary, and the profound influence of nature (land, water, air, etc.) on artistic expression. She is also passionate about contemporary archives, film photography, interactive art, digital media, and Asian cinema. Through her interdisciplinary approach, Yuting aims to illuminate the dynamic interplay between curatorial practices, sensory experiences, and the elemental forces that shape and inspire artistic endeavours.